Barbara hepworth sculpture

The groupings of pristine abstract forms — white cones, spheres and shapes like miniature dolmens — look especially stark and unnatural in the artificial lighting, as if they were making a purely theoretical point. The satisfaction is almost there, but always Hepworth stops short of metaphor.

But Barbara hepworth sculpture is their essential nature? She produced two lithographic suites with the Curwen Gallery and its director Stanley Jones, one in and one in Her lyrical forms and feeling for material made her one of the most influential sculptors of the midth century.

A Pictorial Autobiography was published in and reissued in Ives, Cornwallsculptor whose works were among the earliest abstract sculptures produced in England. During the s Hepworth produced an experimental series called Groups, clusters of small anthropomorphic forms in marble so thin that their translucence creates a magical sense of inner life.

The evolution is perfectly conveyed, to be sure — the works getting bigger and more expensive in tandem with her flourishing career. When she established her home and studio in Hampstead, London with painter Ben Nicholson before the war, they quickly became the focus of a group of artists that included Piet Mondrian and Naum Gabo, as well as visiting Picasso and Constantin Brancusi in France.

In Hepworth married her second husband; the first was the sculptor John Skeaping the English abstract painter Ben Nicholsonunder whose influence she began to make severe, geometric pieces with straight edges and immaculate surfaces. Purely formal elements gradually gained greater importance for her until, by the early s, her sculpture was entirely abstract.

The open structures of the later years resemble rusting gyroscopes, the massive wood-carvings are like ton conkers, gleaming to shoe-polish brightness. After her daughter Sarah was hospitalised inshe struck up a close friendship with the surgeon Norman Capener.

Barbara Hepworth: a life told in six works

A film of Hepworth hacking away in the sunlit studio gardens at St Ives, hair coiled like Simone de Beauvoir, as Barbara hepworth sculpture Day-Lewis intones the exceedingly portentous voiceover about the sea, the elements, the trees that contain the forms, and so forth, is unmitigated hagiography.

What they achieve is exactly what the sculptures so often deliberately avoid — an articulation of the strange tension between figuration and abstraction in the real world around us. Hers is not aspiring to be grounded and worldly; it is utopian, in search of perfect forms.

Interview with British sculptor Barbara Hepworth and shots of her nine-work series Family of Man, During this period, Hepworth moved away from working only in stone or wood and began to work with bronze and clay.

People, objects and landscapes are woven together, the affinities eloquently articulated. Even during the second world war, it was as if she was running a think tank with a view to creating ideals that fed into the world. The couple divorced in Pieces such as Wave —44 became increasingly open, hollowed out, and perforated, so that the interior space is as important as the mass surrounding it.

Inshe designed the layout for Circle: Hepworth was the first to sculpt the pierced figures that are characteristic of works by both.

Here was a studio, a yard, and garden where I could work in open air and space.Find the latest shows, biography, and artworks for sale by Barbara Hepworth. An early pioneer of abstract sculpture, Barbara Hepworth is best known for her o Nationality: British. The art of Barbara Hepworth () needs no introduction – or so you might think.

Standing stones, carved totems, hollows, holes and polished eggs, white marble ovoids, their scooped-out. Barbara Hepworth, in full Dame Jocelyn Barbara Hepworth, (born January 10,Wakefield, Yorkshire, England—died May 20,St. Ives, Cornwall), sculptor whose works were among the earliest abstract sculptures produced in England.

Her lyrical forms and feeling for material made her one of. The New Art Centre represents the Barbara Hepworth Estate, and has worked closely with the family on a global exhibitions and sales programme for over two decad.

The Complete Sculpture of Barbara Hepworth –69, edited by Alan Bowness, is published.

Barbara Hepworth: Sculpture for the Modern World review – designed to diminish

Hepworth creates three important groups of prints between andculminating in The Aegean Suite, a set of nine lithographs published. Hepworth investigated absence/presence in sculpture and played with the relationship of her sculptural forms to the larger spaces surrounding killarney10mile.comality: British.

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